Yacht Rock
On what made Yacht Rock tick. Also a transcription of Suddenly and why it's better than you think.
The Horrors of the Half-Diminished
The pesky root-tritone relationship in the half-diminished chord — min 7 (b5) — adds an annoying constraint to voicings options. Often chordal players will omit it entirely, particularly when…
Greasy Dominant Tricks
Continuing the topic of chords (chords, I love chords!!), it’s time to bask in the power of the dominant nine — whether flatted or raised. The voicings below are…
Luscious Chord Fatness
In the spirit of the previous post, I thought I’d talk about a few more chord tricks. Here the focus is on creating the biggest sound possible, the type…
Ferrante Voicings
The great pianist/composer Russell Ferrante (of the Yellowjackets) has a unique brand of chordal harmony. While much of what he plays is as rich and complex as chocolate cake, it could be argued…
Horace Silver Transcription, “Peace”
Horace Silver made his name working alongside Blakey, Rollins, and countless others. But later he would part ways with be-bop to explore the funkier aspects of jazz. His strong…
Phineas Newborn Transcription, Sugar Ray
Phineas Newborn was the pianist’s pianist. He died way too young and only recorded a few albums, all of them gems. I spent some time transcribing the “head” to…
Benny Green Transcription, Cottontail
Benny Green trading choruses with a guitarist on the Ellington rhythm changes “Cottontail” from the Ray Brown CD Seven Steps To Heaven. Note the tempo — a scorching 300…
Benny Green Transcription, The Song Is You
This is the first chorus of a Benny Green solo on “The Song Is You” from his debut CD Prelude (1989, Criss Cross). The thing that’s impressive about this solo…
Mulgrew Miller Transcription
RIP Mulgrew. What a loss: http://www.nytimes.com/2013/05/30/arts/music/mulgrew-miller-jazz-pianist-dies-at-57.html Here are three choruses of a Mulgrew Miller piano solo on “If I Should Lose You,” from the album Getting To Know You.…
