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The Horrors of the Half-Diminished
The pesky root-tritone relationship in the half-diminished chord — min 7 (b5) — adds an annoying constraint to voicings options. Often chordal players will omit it entirely, particularly when…
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The pesky root-tritone relationship in the half-diminished chord — min 7 (b5) — adds an annoying constraint to voicings options. Often chordal players will omit it entirely, particularly when…
