Fauxmat

Art is never finished, only abandoned

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Hello and welcome to this lonely outpost. To reach out please use the contact form.

  • steinway-hand
    jazz,  jazz education,  transcriptions

    The Horrors of the Half-Diminished

    May 24, 2011 /No Comments

    The pesky root-tritone relationship in the half-diminished chord — min 7 (b5) — adds an annoying constraint to voicings options. Often chordal players will omit it entirely, particularly when…

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  • steinway-hand
    jazz education,  transcriptions

    Greasy Dominant Tricks

    May 21, 2011 /2 Comments

    Continuing the topic of chords (chords, I love chords!!), it’s time to bask in the power of the dominant nine — whether flatted or raised. The voicings below are…

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  • steinway-hand
    jazz,  jazz education,  transcriptions

    Luscious Chord Fatness

    May 21, 2011 /No Comments

    In the spirit of the previous post, I thought I’d talk about a few more chord tricks. Here the focus is on creating the biggest sound possible, the type…

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  • jazz,  jazz education,  transcriptions

    Ferrante Voicings

    May 19, 2011 /2 Comments

    The great pianist/composer Russell Ferrante (of the Yellowjackets) has a unique brand of chordal harmony. While much of what he plays is as rich and complex as chocolate cake, it could be argued…

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